7.27.2010

Of our Filipino Ancestors, Wu Li Masters and Ancient Greek Muses

How would Filipino baybayin enthusiast "Bing" Veloso be able to connect with our ancestors in order to come about the deeper meanings of baybayin in Saysayin ng Baybayin?

How would Guillermo Tolentino, Philippine National Artist and sculptor of monuments, make a connection with historic figures to yield his life-like sculptures? How would he connect with ancestors to uncover meanings of baybayin symbols?

And how would an Indian mathematician genius attribute his formula solutions to the advice from a Hindu goddess?

Bing has explained that she has meditated to connect with our ancestors to receive the meanings that she shares in her Saysayin ng Baybayin and the baybayin cards. Guillermo Tolentino tells that the historical figures such as Rizal or Bonifacio visited him to actually pose for him so that their faces could come to life in Tolentino's realistic sculptured monuments. Guillermo also openly explained that he communicated with ancestors to read old writing symbols found on the Calatagan Pot, and to write his own book Ang Wika at Baybaying Tagalog (Language and the Tagalog Baybayin) that includes deeper meaning of the symbols. When such sources help yield inspired works, there is not too much skepticism, but when they are sources of information, it is easy to see how it is hard to accept.

But even scientific work can be inspired too!

Srinivasa Ramanujan was an Indian mathematician who made substantial contributions to analytical theory. While at Cambridge University and throughout his life he produced work with startling results and according to Ramanujan, his family's deity, a Namakkal Hindu goddess named Namagiri, appeared regularly to him and presented math formulae which he would verify after waking.

How can inspiration and creativity flow from dreams, meditation or an encounter with our ancestors from the Unseen World, the Other Side or Heaven? Can reasonable people of intelligence, and not just so-called "crazy" people work with their dreams or the Other side to manifest significant works, either artistic or scientific?

For one thing, meditation is a very effective technique for improving your thought process, creativity and ability to problem solve. "Talented" people do it easily and naturally. Artists and poets call it "inspiration". Even brilliant scientists such as Albert Einstein and Thomas Edison were known to have practiced various forms of meditation.

Gary Zukav, physicist and author shares an experience whereby he realized he received unseen assistance in writing his first best selling book:
"Multisensory perception brings with it awareness of intelligence, wisdom, and compassion that are not our own any more than the humor of a friend belongs to us. We experience helping hands that cannot be seen. For example, I outlined each of the chapters of my first book, The Dancing Wu Li Masters: An Overview of the New Physics, before I began to write, but when I began, ideas occurred to me that were not in the outlines. Each time, I left the outline behind and wrote about the new ideas instead. Sometimes I would return to the outline and sometimes I wouldn't. One day I realized that the chapters I had written so far fit together perfectly, as though I had planned them that way. I also realized that they were more intelligent and funny than I was. Eventually I realized that I was not writing the book alone! (Spiritual Partnership, 2010)
The Dancing Wu Li Masters is about quantum theory, particle physics, and relativity and is written in layman terms with so little mathematics and in such a way that critics have described it as "enjoyable," "informative" and "pure enchantment."

Zukav explains that the Chinese word for physics is "Wu Li," "patterns of organic energy." Zukav along with others developed the idea of physics as the dance of Wu Li Masters--the teachers of physical essence:
"The Wu Li Master dances with his student. The Wu Li Master does not teach, but the student learns. The Wu Li Master always begins at the center, the heart of the matter.... This book deals not with knowledge, which is always past tense anyway, but with imagination, which is physics come alive, which is Wu Li.... Most people believe that physicists are explaining the world. Some physicists even believe that, but the Wu Li Masters know that they are only dancing with it."
Zukav explains in Spiritual Partnership that unseen creative assistance is recognized in modern and ancient times:
"All creative people---photographers, writers, musicians, architects, artists---recognize this experience. Parents recognize it when they say exactly what needs to be said to a child and what they say is appropriate, complete and satisfying. Ancient Greeks called this experience communicating with the Muses---spirits that inspire creativity---and they called upon the Muses often. "To me and through me," they cried, "tell me the story of our people!" and from these ancient Greeks flowed the dramas and philosophies that shaped the Western world.
Wow, when I read that I knew that "To me and through me, tell me the story of our people!" was what resonated strongly within me when I brought about works that satisfied my own search for Filipino Identity and my kapwa Filipino.

After contemplation and dwelling on intentions for healing and wholeness for the Filipino identity (historically colonized and programmed, self-abased and fractured), sure enough creativity came afterwards. And then I could create works, such as the art and prose for babaylan.com and the Babaylan mandalas, with all their symbolism, including baybayin. During such intense periods when there is a flow of spontaneous creativity, I cannot sleep for days, and the work comes from my hands and from a non-thinking state. Surprisingly during these creative periods, my hands felt very warm, almost burning, until the work was all done. Even working for CFBS has had its periods and many a sleepless night when the work flows from somewhere between my mind and my heart. For all these works, there were times, when the output from my being was less about the intellect and even the exterior senses of tactile touch, eye-sight, smell, hearing and taste, but more about my sense of deep meaning, my inner sight, my feelings and a sense of my ancestors being at my side being satisfied with the results.

Have you ever felt that a beloved family member such as a parent or grandparent, or a friend or sibling who has passed away has visited you in your dreams and spoke something to you, or is at your side watching over you and guiding you? I have felt this many times. Once without thinking, I called to my Lola to be with me during a critical period of birthing my third son---this was a time when my life was at risk. I knew my Lola came to be with me during that time. Every one and everything turned out fine during, immediately and thereafter that delivery.  How many of you readers feel that we all can call our Lolos and Lolas and any of our ancestors for guidance and assistance when we work to not only survive but even when we want to thrive in this world?

Indigenous peoples like Native Americans and even indigenous tribes in the Philippines still believe that they can communicate with our ancestors in dreams, through vision quests or dream journeying. Dreams reveal hidden truths to our lives and the world. Even Sigmund Freud, the father of psychoanalysis calls the dreamstate “the royal road to the unconscious.” Interesting how it is not only people of artistic or spiritual professions that regard dreams as messages from a higher power.

So other worldly sources influence humanity's work?!!
Well, if the Greeks in the far of annals of history could yield great works of poetry, art and philosophy by communicating with the Muses, than what's so weird for people today to communicate with their ancestors? Muse? Ancestor? What's the difference really?

Deities who visit us in dreams... Muses who inspire... Wu Li Masters who dance... And ancestors who bother to talk to us in meditation? Hindi mo akalain, ano. It's all out there for you to ponder upon and consider.


Other suggested readings online:

7.26.2010

Bayani de Leon, Musician Extraordinaire and Baybayin scholar

published 1992
Figure 15. Master Table showing all 
43 letters of the expanded Baybayin
(Page 46, Baybayin: The Ancient 
Script of the Philippines)
One of the available contemporary printed resources on baybayin is Baybayin: The Ancient Script of the Philippines, written by Bayani Mendoza de Leon and published in 1992.

Contrary to any wan internet searches for this book or its unavailability on Amazon.com, this publication is still available for purchase in the U.S. from sources such as Linda Nietes' Philippine Expressions book store.

Bayani's book presents the baybayin writing along with some modifications with regards to the consonants  and the glyphs and he also introduces some letters that were not part of the original baybayin in order to attain a versatile Philippine script that can be successfully used in modern times.

There is very little information on Bayani available online except for the one entry in Wikipilipinas. That page is chockful of info on his musical background and also mentions that:
Aside from all his award-winning musical compositions, Mr. de Leon was also named one of the “2008 Most Outstanding Filipino American Achievers of America” and is listed in Grove’s International Dictionary of Music and Musicians.
Outside of his musical career, Bayani Mendoza de Leon had worked at the National Media Production Center where he was the vernacular section chief, and editor of "Pag-asa", a government-published magazine. His first love, however, had been literature. His short story, "Mga Luha Ni Lela" won a Palanca award in 1965, the Philippines' highest literature award. He is currently Managing Editor, Higher Division, of Pearson Education Publishing in Upper Saddle River, New Jersey.
Mr. de Leon was a musical child prodigy. He recently won the 2008 Pamana ng Pilipino Presidential Award conferred by the Philippine President Gloria Macapagal who recognized him for his "genius and artistry for being a distinguished composer, musician, and educator who has tremendous influence in raising awareness and appreciation of traditional and contemporary Philippine music in the US."

Below find videos of people playing Bayani de Leon compositions:







Bayani is the son of two other Filipino cultural artists Philippine National Artist Felipe P. de Leon and concert-pianist Iluminada Mendoza. As his father Felipe was a close friend of National Artist Guillermo Tolentino, a sculptor of epic talent and prolific works, Bayani became his protegé.


Isn't it interesting to see how people of various talents and backgrounds have taken a love or enthusiasm to baybayin and of coming up with different ways of sharing it and exploring it?

Bayani's writes as his dedication in this book:

This manual is dedicated to future generations of Filipinos who will have succeeded in breaking the colonial spell that has kept then from being their proud, authentic selves.
(Baybayin: The Ancient Script of the Philippines)

And so it goes, another Filipino believes that baybayin is a tool for finding one's Filipino roots and cultivating their love of being Filipino. 


Maraming Salamat, Ginoong Bayani.

7.25.2010

Baybayin Documentary coming



Christian Cabuay of baybayin.com has begun his work for a new baybayin documentary film. 

Get updates and info on it at BaybayinFilm.com.